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The Production Assistant's Pocket HandbookMovie Jobs: Learn to work as a PA in Film and Television
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- News: Handbook now on Amazon | University of Central Florida buys 500 for film program The Production Assistant's Pocket Handbook is designed to help you: Get a job in the film or TV industry. Quickly learn how to be a professional Production Assistant (P.A.). And get promoted as soon as possible. Written by Caleb John Clark (See personal site), a veteran Hollywood P.A. who is now a Web media producer, author and teacher. (hear an interview of Caleb on the Digital Production Buzz radio show.) The handbook is available in four forms:
From the Introduction: Think of it, to try and make movie. What a crazy idea! This popular handbook has been freshly revised and designed to give new Production Assistants (P.A.s) an edge in the insane world of movie making. Topics include how to get your first job, the basics, lock-downs, radio communication, running talent, what to bring to a set, driving, etc. Written by a P.A. while working on major studio and independent features, commercials, TV shows, and low-budget films, this handbook is full of advice and stories from the trenches. This 3rd edition has been expanded and checked by industry professionals and instructors at film schools. P.A.s do everything nobody else wants to do. It is an entry-level job, in other words, you’re in the proverbial mailroom, digging ditches, washing dishes, making copies, and entering data. So don’t kid yourself, you’re at the bottom, baby! But the good thing about the bottom is that there’s only one way to go from there: UP! Like all entry-level jobs, the object of being a P.A. is to work yourself out of the job by making yourself too valuable to be kept in the entry-level position. Being a P.A. is also a weird test with only one question; Are you willing to become the best P.A. you can, even though you know that you won’t be a P.A. for long? The logic behind this is that the people above you have paid their dues and proved their passion (to themselves, not just to others) and they expect you to do the same. The other side of the coin is that a good P.A. is very valuable because there is nobody else to do the job. Therefore, take pride in all the little demeaning tasks you will have to do. Take the job seriously. Be honored and happy to get coffee, and remember who prefers three sugars. If you are an exceptional P.A., you will get promoted very quickly, and the coffee will come to you. © 1999-2008 Caleb John Clark
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PA Handbook Chapters |
PA Pocket Handbook Endorsements and Reader Reviews
Endorsements: Line Producer Alton Walpole recommends it. It is required reading for Lisa Cook 's classes at University of Central Florida's film program. Micheal Fischer uses it in his advanced film production classes at Burlington College. The Texas Film Commision also likes the P.A. pocket handbook.
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Production Assistant resources
Getting a PA Job
List of US State Film Commission Sites. State film commissions alphabetically.
List of world wide Film and TV Commission Sites. From the Producers Masterguide, in publication since 1979.
Media-match.com. Entertainment job site for freelancer and employers.
FilmStaff.com. Crew placement service site for entertainment jobs.
ProductionHub.com. Film, TV, video and digital media job site.
EntertainmentJobs.com. Entertainment job site.
How to get a production internship. From about.com. Internship sites at NBC, Time Warner HBO, ABC
InsideHollywood.info. A site by 25+ year industry vet Alicia Hirsch. Includes "ask a veteran" service and an e-book.
TheFutonCritic.com. Site that tracks TV productions that have been approved for production.
PA Training
PA Bootcamp. Two-day intensive training programs taught in Los Angeles.
How I got that first job in Television. A PA's personal blog. Includes journal from the set, and office PA for a day.
Work as a PA article from Monster.com job site.
So You Wanna Work in Movies? General site by successful cinematographer Oliver Stapleton
So you wanna be a TV Production Assistant? General info from soyouwanna.com.
How to get a job as a TV and/or film extra? From essortment.com.
Film Production IQ Test. Online test by Brian Heath, IFP Chicago member photographer.
Film Crew 101. Lighting tech. Peter Clarson's manual on set etiquette from 30 years in the business.
Short video of a PA talking about what they do. From howstuffworks.com
Misc.
Wikipedia PA entry.
Wikipedia History of Film. Know from whence we came...
Production Lingo. Old school film talk, but still relevant